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Alex Lifeson[]

Guitars

Other Instruments

Keyboards

  • Moog Little Fatty

Amplifiers

Equipment

Microphones

Geddy Lee[]

Basses

  • 1972 Fender Jazz Bass "Number One"
  • Fender Jazz Bass Black w/ Tortoiseshell pickguard (Stick It Out only)
  • Fender Jazz Bass Sunburst w/ Tortoiseshell pickguard (Closer to The Heart only)
  • Fender Jazz Bass Trans Red w/ Black Tortoiseshell pickguard (2112 only)

Amplifiers

Equipment

Microphones

Neil Peart[]

Customized by Drum Workshop

Microphones

21 separate microphones. Audio-Technica AT4060 with tube for overhead. Audio-Technica AE3000 with very large diaphragm condenser for larger toms. Neumann KM 184 under ride cymbal. Spot cymbal microphones with Shure SM98 for smaller cymbals. Two top snare mics, a rock microphone in normal position with Shure SM98 on rim to pick up cymbal ring.

Equipment

Shure PSM 600 hardwired ear monitor.

House[]

Crew

Sound by Clair, Lititz, PA

  • Brad Madix - FOH Engineer
  • Brent Carpenter - Monitor Engineer
  • Doug McKinley - Crew Chief/Systems Engineer
  • Anson Moore - Monitor Tech

Plugins

  • Trillium Lane Labs
  • TL Space Ultimate Verb
  • Eventide Anthology
  • Eventide Anthology II Bundle
  • Crane Song Phoenix
  • Waves V8
  • Mc DSP Emerald Pack
  • Eleven

78 channel Avid Venue Profile mixing consoles with Virtual Soundcheck manned by front of house engineer Brad Madix and monitor engineer Brent Carpenter. Has a dozen plugins, SSL emulation, tape emulation, Echo Farm and Waves Renaissance.

Amplifiers

  • Lab.gruppen PLM 20000 Q

Clair i-5 speaker line arrays supported by Clair i-5b subwoofers with Clair P-2 as front fill. Keyboards, bass, bass drums and toms mixed into two Clair BT-218 subwoofers with Clair 115s monitors driven by Crown 3600 preamps.

Equipment

  • Countryman Type 85 DI
  • Radial J48 DI

Microphones

References[]

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