- 1976 Gibson Les Paul Standard
- Paul Reed Smith Artist Series
Strung with Dean Markley Blue Steels at .009-.048. Acoustic Ovation on stand with nylon strings.
Three channel Marshall Anniversary 100-watt with two Mesa Boogie V-Twin preamps. Digitech 2101 for clean tone with chorus and overdrive with phase. Marshall 100-watt with Mesa Boogie V-Twin preamps for dry tone. For live recordings, two 2x12 Gallien-Krueger cabinets with G12 Celestion speakers housed in lead lined acoustical isolation boxes. Miked with Shure SM-57 and later Audio Technica microphones.
- Marshall JCM 900
Alesis Multi-Effects Unit with 12-string, clean and distortion settings.
- 1972 Fender Jazz Bass
Two other Fender Jazz Basses. Strung with Rotosound strings at .105-.050.
Direct signal fed through Demeter input box split into Palmer speaker simulator and Sansamp for distortion. Line out into Trace-Elliot amplifier. Live recording a mix of both signals.
- Guitar World, January 1999 "Living in the Limelight"